Thursday, September 30, 2010

Anti-Design?





In response to the admittedly commercial London Design Festival, Neville Brody (of Research Studios and RCA) started the Anti Design Festival. The brochure describes the programme "in constant flux, as projects become more defined, or less, as the time approaches."

I love the idea of unfinished, ever-evolving work. I also love his challenge to the corporate world of design, which I agree in many cases is far too safe and repetitive. However, I'm not completely convinced (as I gathered many weren't) with his vision of anti design. Set up in a warehouse-like space on Redchurch, three rooms exhibited a variety of work by anonymous 'artists'. The 30 creations in 30 days piece was fantastic (best creation: chair consisting of beach balls in a net), as was the wall of manifestos. We really do need to bring the manifesto back..

But other aspects were so typically anti- the 'man' that I couldn't help role my eyes. For example, in one room installed like a bourgeois salon with its walls covered in works, I asked the gallery attendant for the name of one of the artists who's work I really admired. His response was "Oh, well, the point is to remain anonymous. You know, it's not about selling the work, so like, we didn't put names up." To which I replied, "But what if I like the work and want to see more of it?" So he ran off to his boss, got a list of names of exhibitors, and kindly gave me the chap's name. And then I rolled my eyes.

Love the idea of a shake up and wish I had had time to visit an evening programme (themes included "Painting on Music" and "Obsessive Classification Disorder"). Maybe next year!

ps: I would normally give credit to the works pictured above, but in the spirit of the ADF, I'll keep it anonymous.

Matilda

Matilda is a new company that imports Australian design to the UK. I regret not taking photos at the launch party, because the gallery was packed and the guests spilled onto Redchurch Street. Here is a look at the gallery before the madness:




Villajoiosa, Spain





Viaduct: Northern Lights



Curated by Gitta Gschwendnter in Viaduct's new exhibition space in Clerkenwell.

Coolest. Toilets. Ever.

A friend somehow became acquainted with the director of Belgrade Design Week and was invited to their party last week at Sketch on Conduit Street. The party was fun as far as cocktail parties go, but the real highlight were the toilets! That might sound funny, but if you don't believe me go see for yourself! I'm obsessed and will be frequenting those toilets whenever I'm in the Oxford Circus area.



V&A Install

This is Innovation Greenhouse, curated by Pete Collard and Katarzyna Jezowska in the Tunnel entrance of the Victoria and Albert Museum. Although I left once plastic sheet was up, the boys stayed all night to get the installation ready for the morning. The greenhouse tied in with an exhibition in the Sackler Centre next door on the innovative use of plant based material in design.





I must admit, my favourite part of the night was sneaking off with my staff badge to wander the halls of the great museum alone. As much as I encourage public museums, they really are so much better without tourists!

More Venice

Allow me to describe my perfect afternoon in Venice...





London Design Festival

Oh la la where to begin... 9 days of madness took over London last week! There were new exhibitions to see every day, from Tent London to the Tramshed, and endless parties to attend every night. Free champagne at ever turn (thanks to the handy sponsorship of Veuve Clicquot) and a few celeb sittings for design nerds such as myself. Here are some highlights!



This is Paul Cocksedge's 'Drop,' a magnetic coin-like sculpture that appears to have fallen from the sky onto the Southbank Centre. Everyone was invited to stick their coins to the piece, and many started to create fun designs and sayings.



Audi set up a mechanical octopus of sorts. The futuristic-looking robots could write out in the air messages that the public wrote in. Unfortunately the messages could only be viewed at night, but the robots themselves were a sight to behold.



The Photographer's Gallery set up a table with scraps of magazines and photographs and invited passersby to help create a large collage to be hung in the gallery after the Festival. As you can tell, I'm quite interested in public projects rather than private viewings..



So speaking of private viewings, The Tramshed hosted a press preview for the 'premier destination' of the festival and I somehow got in.. Featuring 25 design brands including Benchmark, Decode, and Autoban, the newly renovated, well, shed, in Hoxton was indeed a great exhibition despite the sense of exclusivity it exuded.



Tent London, set up in Brick Lane's Truman Brewery, was completely overwhelming. I could create a whole blog for it, but instead I would recommend you visit their website. The vuvuzela lamp pictured above is an example of the many witty design ideas I came across.

The LDF was a real treat to be a part of.. More specific posts will follow.

Peggy





A brief on Peggy Guggenheim:
You may know her uncle as the founder of the Solomon R. Guggenheim Foundation, however Peggy was also a driving force in the avant-garde movement. After moving to Paris in 1920, she became bff with the likes of Man Ray and Marcel Duchamp. She began to collect and then exhibit little-known artists like Wassily Kandinsky. Following her divorce from the artist Max Ernst, she moved to Venice where she took up a palazzo on the Grand Canal, now the Peggy Guggenheim Collection. She is now buried in the sculpture garden, along with her dogs.

Sunday, September 12, 2010

Bits of Venice




Aussie invasion

matilda-design.com

Launching at the London Design Festival, Matilda is introducing the UK to 13 of Australia's best designers. Grand opening is the night of September 21, so come check it out!

Gallery on Redchurch Street
50 Redchurch Street, Shoreditch, E2 7DP

September 16 til October 2

'architecture as air: study for château la coste' by junya.ishigami+associates




Look closely...

This is the Golden Lion Award winning project that explores the boundaries between traditional architectural binaries - solid/void, space/structure, transparent/opaque. The Japanese firm installed a structural system made of thin white string, which, despite suffering collapses (rumored to be caused by a cat) is an inspiring exhibit.

Richard Wilson's 20:50 at the Saatchi Gallery




I have never stared so long at an installation piece before. Built in Gallery 13 of the Saatchi, the slick surface appears to be well polished floor reflecting the beams and lines of the ceiling. However, from past experiences I remembered this room as being two storeys tall. Add the smell of oil to the room, and the fact that this is a Richard Wilson, and what do you get? A room literally filled with oil. Ok, not totally filled.. A steel structure covering the span of the room holds about 2" of oil. Nevertheless, the effect is mesmerizing and a must-see if you are in the Sloane Square area.

Jean Nouvel's Serpentine Pavilion




So here is the new pavilion at the Serpentine in Hyde Park. For those of you who aren't familiar with the project, the gallery installs a new pavilion once a year. The previous two years have seen incredible designs by Gehry and SANAA.

Nouvel's bright red structure (reminiscent of his contributions to Parc de la Villette in Paris)is complete with ping pong tables. On the afternoon I visited it, the sight of business men playing ping pong after work in their suits was quite enjoyable.

Friday, September 3, 2010

From England to Italy

The past month has been a complete whirlwind, so I'm not even sure where to start on this long-overdue post.

My first week in London consisted of never ending flat viewings. I saw some of the grimiest places you could ever imagine, all asking a fortune in rent of course. Just as I had lost all hope, I found a room larger than a shower, that didn't have mysterious stains or odors, nor did it have children running around it (no joke, that happened twice). A good flat for a low price is hard/impossible to find here, so I snatched it up asap.

While enduring this debacle, I was staying in a lovely Georgian terrace house in Islington with several wonderful men. I would give you the exact amount, however it seemed to change every night as the place turned into a bit of a youth hostel. Everyone was extremely welcoming and laid back, which helped at the end of all the exhausting days. So thanks guys!

A friend from Montreal arrived about ten days later. We took up a temporary residency in the grand Victorian Hotel Russell in Bloomsbury. Despite a quirky consierge, the hotel proved to be an excellent resting spot after touring all day and drinking too much all night. Our favourite part by far was the mysterious channel that played a black and white image of a man sleeping from about 3am on... One night there were two men in the bed. If anyone can explain what that was all about, I'm dying to know.

On my last evening in London, before setting off to Italy, I dropped all of my belongings into the new flat, took one last look at the city's soggy gray streets, and took in a good two hour sleep before catching our flight. Landing in the sun and heat of Rome while still wearing a sweater and leather jacket, I felt like a bit of a idiot. How could I have forgotten that summer can actually be hot in some countries?! Silly me..

A blog post could never sum up Rome, so I'll just say the city gets better after every visit and is very difficult to leave. I may have gained ten pounds or so and killed a ton of braincells thanks to the abundance of amazing food and wine. But it was all worth it. At the end of every three hour dinner in some street-side osteria, I realized that this is how to enjoy life!

Following Rome, I left on my own to Venice. Never having been there, and being clever enough to not bring a map, I got thoroughly lost my first day and wandered in circles around San Marco for hours. The next day I snuck onto a waterbus and made my way over to the Venice Biennial. I'll post an article on that later..

Following two 8 hour days at the Biennial, I was exhibited out and needed some wine. I met a few people in my hostel, and we set out to find some local nightlife on a Tuesday night. A nearby piazza hosted a tango night, where neighbors put on their best dresses and precariously high heels and tangoed to music blasted from a boombox. Those participating were clearly experienced, and loving every second of it. Between tango songs there would be a pause to switch partners or take a break. In that pause, the 'dj' hilariously decided to play Spice Girls classics. Not sure if they saw the humour in that... After enviously watching these semi-pro dancers, we went off to a small bar down one of those impossibly narrow streets. They served wine in mini glasses for 90c. In London, 90p wine would taste like cat piss, and probably would be just that. But here it was delicious.

The next day, needing a change from all the Titians and Tintorettos, I wandered over to the Peggy Guggenheim Collection. The collection is stunning, obviously, and so complete- she followed the avant-garde movement from beginning to end. Refusing to partake in Pop Art, she stopped collecting once her favourite movements (and artists) died off. Such a kooky figure, she is buried with her dogs in the sculpture garden.

I took the advice of a friend who had lived in Venice and went to Vino Gia Schiavi, a bustling little bistro where locals dined on wine and mouthwatering cicchetti along a quiet canal. I couldn't read the labels for each dish, but I assume it had tuna in it. Or something that tasted like tuna anyway... The setting was perfect, so I sat in a park across the water from it and sketched for a couple of hours. Following some gelato and a long walk along the water, I then went back to the tango piazza and read under a cafe's umbrellas until I had to catch my flight back to freezing London. Standing waiting for my bus at Liverpool Street Station at 2am, shivering, with a trouserless tranny next to me and some drunk tourists making out on the steps behind me, I questioned why I left Italy exactly... I think I could learn to love Burlusconi and his henchmen quite quickly.